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Caspar Forsberg Impressionable Age Extender 06/09/2018–22/09/2018
Humlegårdsgatan 14, 114 46 Stockholm

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Impressionable Age Extender acts like a screen dump of Caspar Forsberg’s recent work with a particular yellow. He found it in the common Post-it® note and then extracted the colour using an NCS-scanner. The objects and materials painted in household paint merely act support for the yellow colour but also for texts, authored by a G-HOST whose intentions and qualifications shouldn’t be left unscrutinised.

A key to the recent work is a scene in the BBC documentary on the bower birds that shows an elderly bird with a great collection of colourful objects and a younger bird trying to copy the elderly bird’s bower. The title of the exhibition suggests that the period when one
has an open and perhaps naive outlook in life can be extended and wonders what this “impressionable age” does to one’s character and work if prolonged.

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Caspar Forsberg, IMPRESSIONABLE AGE EXTENDER, 2018, steel, aluminium, string, plastic, glass, paper, LECA block, wall paint and acrylic, 135 x 50 x 24cm
Caspar Forsberg, 2D GLASSES, 2018, steel, copper, styrofoam, PVC, paper, and acrylic paint, 27 x 46 x 46cm
Caspar Forsberg, DOING ANYTHING BEAUTIFUL AT ALL IN BAD TIMES IS A SORT OV PROTEST, 2017, cardboard, screen print, wall paint and acrylic, 158 x 1134cm
Caspar Forsberg, A MANS VOICE IN THE ROOM NEXT DOOR MADE ME REALLY NERVOUS, 2017, cardboard, screen print, wall paint and acrylic, 158 x 107cm
Caspar Forsberg, DANDELION (THANK YOU G-HOST), 2017, cardboard, wall paint, acrylic and dry pastel, 158 x 107cm
Caspar Forsberg, JUST TRY TO BE THE SPACEMAN U WANT TO BE 2017 Cardboard, wall paint, acrylic, dry pastel and pencil, 158 x 107cm
Caspar Forsberg, SHOP LIST, 2017, cardboard, wall paint and acrylic, 158 x 107cm
Caspar Forsberg, TAURUS DONT LIKE RED WITH RED AND ALUMINIUM SPACESHIP, 2017, cardboard, wall paint, acrylic, wax crayon and aluminium, 151 x 99cm
Caspar Forsberg, THE GHOSTS DONT SPELL REELY WEL BUT THEY GET THERE POINT ACROSS, 2017, cardboard, wall paint and acrylic, 158 x 114cm
Caspar Forsberg, CASPAR CALL HOME, 2018, cast aluminium, steel, polyurethane foam, wood, LECA blocks, wall paint and acrylic, 138 x 29 x 38cm
Caspar Forsberg, FIRST NOTICE, 2018, steel, paper, sand, wall paint, acrylic and cotton, 24 x 132 x 24cm
Caspar Forsberg, FIVE HOUR ANGEL, 2018, plastic, aluminium, paper, and acrylate paint, 39 x 24 x 13cm
Caspar Forsberg, HELP YOURSELF, 2017 wood, steel, clamps, LECA block, wall paint and acrylic, 97 x 41 x 35cm
Caspar Forsberg, ONE OPERATOR SCULPTURE THAT NEEDS TO SIT ON AN ELEPHANT, 2016, rope, plastic and brush wash water, 26 x 15 x 10cm
Caspar Forsberg, PUKING AND LOOKING AT THE STARS FROM A REALLY TALL BUILDING, 2018 wood, plastic, string, sand, wall paint and acrylic, 174 x 54 x 54cm
Caspar Forsberg, SECOND NOTICE, 2018 steel, paper, sand, wall paint, acrylic and cotton, 18 x 96 x 22cm
Caspar Forsberg, SULPHUR SURFER, 2018 steel, fiber board, PVC, string, copper, sand, styrofoam, paper, rope, outdoor and indoor wall paint and acrylic, 112 x 54 x 54cm
Caspar Forsberg, THIRD NOTICE, 2018, steel, paper, sand, wall paint, acrylic and cotton, 20 x 100 x 25cm
Caspar Forsberg, USE THE UMBRELLA, 2017, wood, clamps, LECA blocks, wall paint and acrylic, 96 x 70 x 50cm
Caspar Forsberg, WHITE FLAG ON BUTTMANS GARAGE, 2018, aluminium, plaster, steel, wood, fibre board, compass, string, wall paint and acrylic
Detail of Caspar Forsberg, WHITE FLAG ON BUTTMANS GARAGE 2018, aluminium, plaster, steel, wood, fibre board, compass, string, wall paint and acrylic

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CASPAR FORSBERG

b. 1983 Stockholm, Sweden. Lives and works in Åkers Styckebruk, Sweden.

Caspar graduated from the Royal Institute of Art in Stockholm 2009 and has exhibited in not only galleries and institutions but also in public spaces and off-site locations, meaning places that one would not consider appropriate or ideal for outdoor art. This could be behind a warehouse in an industrial park. Working mainly in sculpture and using the material, say PVC plastic or aluminium, as a starting point, Forsberg’s art explores the boundaries between different dimensions, physical or meta-physical. The acclaimed project Realruns.net, set up in 2015, distributes 3D-scanned sculpture and installation art into the digital realm. Caspar Forsberg was awarded the Maria Bonnier Dahlin award in 2015 and has exhibited at Bonnier Konsthall, Sven-Harrys konstmuseum and with Carl Kostyál in Stockholm and with Johan Berggren in Malmö. This is the first exhibition that Caspar does with Issues.

Issues has produced exhibitions since 2014 in specific places, places that perhaps exist more in the visitor’s mind and expectations than in real life. In 2015, Issues showed the American artist Ryan Trecartin’s video artwork CENTER JENNY on all 196 TV-screens at home electronics store Media Markt in Gallerian in Stockholm, during and after opening hours. Continuing to expand the contemporary art landscape in Stockholm, Issues works with artists tied to a local context, socially or geographically. Issues has previously showed the work of Anna Uddenberg, Marie Karlberg, Alfred Boman, Zoe Barcza, Jim Thorell, Olga Pedan, Thomas Hämén, Gina Beavers, Emanuel Röhss to name but a few.

Exhibition handout (PDF, 412.05 KiB) ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––