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Lydia Ericsson Wärn
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Lydia’s practice encompasses painting, video and installation. The work explores the image of subject as object, the gaze, as well as interior and exterior perspectives on a body and its functions.
Lydia Ericsson Wärn b. 1994 Stockholm, Sweden. Lives and works in Stockholm. Lydia is a recent graduate from HfBK Städelschule, Frankfurt am Main. Solo and two-person shows include Center, Meredith Rosen Gallery, New York City, USA (2024); Of the One in the Many, ISSUES, Stockholm (2022); Phantasmatic Graft, Kunst- und Kulturstiftung Opelvillen, Rüsselsheim, Germany (2021); Faithful Recreations, James Sturkey, Joanne, Frankfurt am Main, Germany (2018) and After Before, curated by C-print at Mossutställningar, Stockholm (2018). Group exhibitions include Interior Alphabet, OTP Copenhagen (2024); Downtown Issues II, ISSUES, Stockholm (2023); End of History?, Gallery Nordenhake, Stockholm (2022); Future Watch, Kulturhuset, Stockholm (2021); Smith and Janey, curated by Coyote, Arcway and Bonamatic, Copenhagen, Denmark (2020); Side by Side, Fffriedrich, Frankfurt am Main (2020) and L’origine du Monde, Stene Projects Lounge, Stockholm (2018).
GRANTS AND AWARDS
Hessische Kulturstiftung Projektstipendium (2020)
Deutschlandstipendium (2020)
Anna Whitlocks Minnesfond (2019)
Studienstiftung des deutschen Volkes (2019)
Anna Whitlocks Minnesfond (2018)
Sonora Konstförening (2016)
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In New York For Frieze? Here Are The 10 Must-See Exhibitions On View Around the City (review), Lee, Sophie, online, Cultured, 29/04/2024
Lydia Ericsson Wärn (interview), Castenfors, David, Art Lover magazine, print, Issue 53, September 2022
The Game of Contrasts (review), Malmsten, Silvia, Omkonst, online, 18/11/2020
After-Before (interview), C-Print, online, 23/10/2017
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Core 24/04/2025–24/05/2025
Downtown Issues II 17/08/2023–23/09/2023
Of the One in the Many 06/10/2022–05/11/2022
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Website
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Instagram
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