-
——————————————————————
About -
——————————————————————
Selected Works -
——————————————————————
Selected Press -
——————————————————————
Exhibitions -
——————————————————————
Links
——————————————————————
Lydia Ericsson Wärn
———————————————————————————————————————————————————————————————————————————————————————————————— About
––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––
Lydia’s practice encompasses painting, video and installation. The work explores the image of subject as object, the gaze, as well as interior and exterior perspectives on a body and its functions.
Lydia Ericsson Wärn b. 1994 Stockholm, Sweden. Lives and works in Stockholm. Lydia is a recent graduate from HfBK Städelschule, Frankfurt am Main. Solo and two-person shows include Of the One in the Many at ISSUES, Stockholm (2022); Phantasmatic Graft at Kunst- und Kulturstiftung Opelvillen, Rüsselsheim, Germany (2021); Faithful Recreations with James Sturkey at Joanne, Frankfurt am Main, Germany (2018) and After Before, curated by C-print at Mossutställningar, Stockholm (2018). Group exhibitions include Downtown Issues II at ISSUES, Stockholm (2023); End of History? at Gallery Nordenhake, Stockholm (2022); Future Watch at Kulturhuset, Stockholm (2021); Smith and Janey, curated by Coyote, at Arcway and Bonamatic, Copenhagen, Denmark (2020); Side by Side at Fffriedrich, Frankfurt am Main (2020) and L’origine du Monde at Stene Projects Lounge, Stockholm (2018).
GRANTS AND AWARDS
Hessische Kulturstiftung Projektstipendium (2020)
Deutschlandstipendium (2020)
Anna Whitlocks Minnesfond (2019)
Studienstiftung des deutschen Volkes (2019)
Anna Whitlocks Minnesfond (2018)
Sonora Konstförening (2016)
———————————————————————————————————————————————————————————————————————————————————————————————— Selected Press
––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––
Lydia Ericsson Wärn (interview), Castenfors, David, Art Lover magazine, print, Issue 53, September 2022
The Game of Contrasts (review), Malmsten, Silvia, Omkonst, online, 18/11/2020
After-Before (interview), C-Print, online, 23/10/2017
———————————————————————————————————————————————————————————————————————————————————————————————— Selected Works
––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––
———————————————————————————————————————————————————————————————————————————————————————————————— Exhibitions
––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––
Downtown Issues II 17/08/2023–23/09/2023
Of the One in the Many 06/10/2022–05/11/2022
———————————————————————————————————————————————————————————————————————————————————————————————— Links
––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––
Website
––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––
Instagram
––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––